Ausverkauft
Dieses Kunstwerk kann der Raumansicht leider nicht hinzugefügt werden.
Katharina Grosse, eine Koryphäe der zeitgenössischen Kunstszene, lädt mit ihren Werken zu einer Expedition in die grenzenlose Farbwelt ein. Ihre Anfänge, verwurzelt im Neoexpressionismus der… weiterlesen
Vita Ausstellungen
| 1961 | Geboren in Freiburg/Breisgau, Deutschland |
| 1982–1990 | Malerei-Studium, Kunstakademie Münster und Kunstakademie Düsseldorf |
| 1992 | Villa Romana-Preis, Florence |
| 1993 | Verleihung des Schmidt-Rottluff-Stipendiums |
| 1995 | Verleihung des Kunstfonds Bonn e.V. |
| 1997–1998 | Gastprofessorin an der Staatliche Akademie der Bildenden Künste Karlsruhe |
| 1999 | Künstlerin in Residence, Chinati Foundation, Marfa, TX |
| 1990–2000 | Gastprofessorin an der Hochschule Bremen |
| 2000–2009 | Professorin an der Kunsthochschule Berlin-Weißensee, Germany |
| 2010–2018 | Professorin an der Kunstakademie, Düsseldorf, Germany |
| 2024 | Lebt und arbeitet derzeit in Düsseldorf und Berlin, Germany |
| 1991 | Villa Romana - Preisträger, Kunsthalle Kiel, Kiel |
| 1992 | Modedeparis, Château de Servières Marseille, France |
| 1993 | Junger Westen - Kunsthalle Recklinghausen |
| 1994 | Altes Kunstmuseum Bonn |
| 1995 | Karl Schmidt-Rottluff Stipendiaten, Kunsthalle Düsseldorf, Germany |
| 1996 | Overbeck-Gesellschaft, Lübeck (solo) |
| 1997 | Petra Bungert Gallery, New York |
| 1998 | Todd Gallery, London (solo) |
| Every Day, 11th Biennial of Sydney, Sydney, Australia | |
| Projektraum, Kunsthalle Bern, Switzerland (solo) | |
| 1999 | Thomas Erben Gallery, New York |
| Galerie Barbara Gross, Munich (solo) | |
| Chinati Foundation Marfa, Texas (solo) | |
| 2000 | Galerie Sfeir-Semler, Hamburg (solo) |
| Pictures at an Exhibition, Galerie Nächst St. Stephan, Vienna, Austria | |
| Bleibe, Akademie der Künste, Berlin | |
| 2001 | Georg Fraser Gallery/Billboard, Auckland (solo) |
| Artsonje Museum, Gyeongju, South Korea | |
| Kunstmuseum St. Gallen, St. Gall, Switzerland | |
| 2002 | Inside the White Cube, White Cube, London (solo) |
| Kunsthalle zu Kiel, Germany (solo) | |
| 25a Bienal de São Paulo, São Paulo | |
| Urgent Painting, Musée d’Art Moderne de la Ville de Paris, Paris | |
| Minibienal do Chile, Santiago de Chile | |
| 2003 | Process, Kiasma, Museum of Contemporary Art, Helsinki |
| Final Cuts, Union, London | |
| Galerie Mark Müller, Zurich (solo) | |
| 2004 | raumfürraum, Kunsthalle Düsseldorf and Kunstverein für die Rheinlande and Westfalen, Dusseldorf, Germany |
| Infinite Logic Conference, Magasin 3 Stockholm Konsthall, Stockholm (solo) | |
| 2005 | Entdecken und Besitzen - Einblicke in österreichische Privatsammlungen, MUMOK Museum Moderner Kunst Stiftung Ludwig, Vienna |
| Town and Country, Factory of Arts and Design, Copenhagen (solo) | |
| 2006 | Berlin-Tokyo / Tokyo-Berlin. Die Kunst zweier Städte, Neue Nationalgalerie, Berlin |
| Town and County, Factory of Art and Design, Copenhagen, Denmark (solo) | |
| Holy Residue, De Appel Centre for Contemporary Art, Amsterdam (solo) | |
| 2007 | Emotional Systems, Centro di Cultura Contemporanea Strozzina, Florence |
| Serralves, Museu de Arte Contemporanea, Porto (solo) | |
| To be Continued... - Magasin 3 Stockholm Konsthall, Stockholm | |
| 2008 | There is Desire Left (knock, Knock), 40 Jahre Bildende Kunst aus der Sammlung Mondstudio, Kunstmuseum Bern, Bern Switzerland |
| 1996 | Overbeck-Gesellschaft, Lübeck |
| 1998 | Projektraum, Kunsthalle Bern, Switzerland |
| Todd Gallery, London | |
| 1999 | Chinati Foundation, Marfa, Texas |
| Galerie Barbara Gross, Munich | |
| 2001 | UCLA Hammer Museum, Los Angeles |
| Artsonje Museum, Gyeongju, South Korea | |
| 2002 | Inside the White Cube, White Cube, London |
| Kunsthalle zu Kiel, Kiel | |
| Cool Puppen, Städtische Galerie im Lenbachhaus, Munich | |
| Der weisse Saal trifft sich im Wald, Kunstmuseum St. Gallen, Switzerland | |
| 2004 | raumfürraum, Kunsthalle Düsseldorf and Kunstverein für die Rheinlande und Westfalen, Düsseldorf |
| Infinite Logic Conference, Magasin 3 Stockholm Konsthall, Stockholm | |
| Perspectives 143: Katharina Grosse, Contemporary Arts Museum Houston, Houston | |
| Double Floor Painting, Kunsthallen Brandts Klædefabrik, Odense | |
| 2005 | Constructions à Cru, Palais de Tokyo, Paris |
| Something Leadlight, Bergen Kunsthall, Bergen | |
| 2006 | Holey Residue, De Appel Centre for Contemporary Art, Amsterdam |
| Cincy, Contemporary Arts Center, Cincinnati | |
| Town and Country, The Factory for Art and Design, Copenhagen | |
| 2007 | Atoms Outside Eggs, Museu de Arte Contemporânea de Serralves, Porto |
| Atoms Inside Balloons, Renaissance Society, Chicago | |
| Picture Park, Queensland Art Gallery, Brisbane | |
| 2008 | Skrow No Repap, FRAC Auvergne, Clermont-Ferrand |
| Another Man Who Has Dropped His Paintbrush, Galleria Civica di Modena, Modena | |
| 2009 | Shadowbox, Temporäre Kunsthalle Berlin, Berlin |
| Hello Little Butterfly I Love You What’s Your Name, ARKEN Museum for Moderne Kunst, Ishøj | |
| 2010 | One Floor Up More Highly, MASS MoCA, North Adams |
| 2012 | Third Man Begins Digging Through Her Pockets, MOCA Cleveland, Cleveland |
| 2013 | Two Younger Women Come In and Pull Out a Table, De Pont Museum, Tilburg |
| WUNDERBLOCK, Nasher Sculpture Center, Dallas | |
| Just Two of Us, Public Art Fund, New York | |
| 2014 | psychylustro, City of Philadelphia Mural Arts Program, Philadelphia |
| Wer, Du? Wen, ich?, Kunsthaus Graz, Graz | |
| Inside the Speaker, Museum Kunstpalast, Düsseldorf | |
| Ihr Verhalten steht im Widerspruch zu ihrer ziemlich heruntergekommenen Kleidung, Staatsgalerie Stuttgart | |
| 2015 | Seven Hours, Eight Rooms, Three Trees, Museum Wiesbaden, Wiesbaden |
| yes no why later, Garage Museum of Contemporary Art, Moscow | |
| 2016 | Rockaway!, MoMA PS1 / Fort Tilden, New York |
| Katharina Grosse, Museum Frieder Burda, Baden-Baden | |
| 2017 | This Drove my Mother up the Wall, South London Gallery, London |
| 2018 | Mumbling Mud, chi K11 art museum, Shanghai |
| The Horse Trotted Another Couple of Metres, Then It Stopped, Carriageworks, Sydney | |
| Wunderbild, National Gallery Prague, Prague | |
| 2020 | It Wasn’t Us, Hamburger Bahnhof – Museum für Gegenwart, Berlin |
| Is It You?, The Baltimore Museum of Art, Baltimore | |
| 2021 | Chill Seeping from the Walls Gets between Us, HAM – Helsinki Art Museum, Helsinki |
| Repetitions without Origin, Gagosian, Beverly Hills | |
| 2022 | Studio Paintings, 1988–2022: Returns, Revisions, Inventions, Mildred Lane Kemper Art Museum, St. Louis |
| Studio Paintings, 1988–2022: Returns, Revisions, Inventions, KINDL – Centre for Contemporary Art, Berlin | |
| Apollo, Apollo, Espace Louis Vuitton Venezia, Venice | |
| Wolke in Form eines Schwertes / Cloud in the Form of a Sword, Saarlandmuseum – Moderne Galerie, Saarbrücken | |
| Destroy Me Once, Destroy Me Twice, Roskilde Festival | |
| 2023 | Warum Drei Töne Kein Dreieck Bilden, Albertina Museum, Vienna |
| Studio Paintings, 1988–2022: Returns, Revisions, Inventions, Kunstmuseum Bern, Bern | |
| 2024 | Studio Paintings, 1988–2023: Returns, Revisions, Inventions, Kunstmuseum Bonn, Bonn |
| Shifting the Stars / Déplacer les étoiles, Centre Pompidou-Metz, Metz | |
| 2025 | The Sprayed Dear, Große Landesausstellung Baden-Württemberg, Staatsgalerie Stuttgart, Stuttgart |
| Wunderbild, Deichtorhallen Hamburg, Hamburg | |
| CHOIR, Messeplatz, Art Basel, Basel | |
| HIGH NOON LUMEN, Galerie Max Hetzler, Berlin | |
| 2026 | Point Rock, Galerie Max Hetzler, London |
| I Set Out, I Walked Fast, White Cube Bermondsey, London | |
| Arrels, La Llotja de Palma / Es Baluard Museu d’Art Contemporani de Palma, Palma de Mallorca | |
| Black Bed, MUNCH, Oslo |