Hattie Carnegie wearing a Vionnet Dress, 1933 by Man Ray
Open Edition, Archive Stamp

Hattie Carnegie wearing a Vionnet Dress, 1933

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55 x 37
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Photo mount frame Hamburg
profile width: 20 mm, Spessart Oak, Black, 78,4 x 60,4 cm (External dimensions) On premium paper (glossy) not mounted or framed. Shipped rolled.
profile width: 20 mm, Spessart Oak, Black, 78,4 x 60,4 cm (External dimensions)
1933 / 2011 MRY03

In the middle of the 1920s, the role of photography was much debated in the United States. It was questioned whether photography can be something more than just a technical aid in producing a more precise replication of reality. Photography hitherto… Read more

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Interiors
thirties
In the middle of the 1920s, the role of photography was much debated in the United States. It was questioned whether photography can be something more than just a technical aid in producing a more precise replication of reality. Photography hitherto enjoyed a primarily scientific, but not at all artistic, reception. At precisely this point, Man Ray, who moved to Paris in 1921, began to use photography in a radically surrealist way. For Man Ray, the medium of photography had always been more than a mere technical reproduction material, even though he had first been introduced to it as such. In it, he discovered a multilayered, artistic means of expression. It is important to add that he wasRead more

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