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Peter Doig
The works of Peter Doig are characterized by their universal relevance and contemporary atmosphere. With his fiercely eclectic style, the painter is able to impressively depict diverse motifs –… Read more
Intro Bio Exhibitions
Background Information about Peter Doig
Introduction
The works of Peter Doig are characterized by their universal relevance and contemporary atmosphere. With his fiercely eclectic style, the painter is able to impressively depict diverse motifs – from winter sports in the Swiss Alps to carefree life in the Caribbean. His emotional imagery combined with his ability to skillfully stage subjects never fails to impact the viewer. Both landscapes and figures come into focus as Doig intertwines art historical and personal references into his compositions. The Zermatt series was not Doig’s first exploration of winter motifs – he painted snowy Canadian landscapes in the 1990s. His enthusiasm for the alpine village of Zermatt and his friendship with Swiss artist Heinz Julen resulted in an extended stay between 2020 and 2021. He drew inspiration from his surroundings as well as ski resort advertisements to create his own interpretation of winter activities.
Intuition is at the heart of Peter Doig’s work process. He describes his approach as a journey whose destination is unknown. That said, a variety of sources – such as film and music – play an equally important role in the creation of his works. Tropical motifs, as seen in the Fischerman, are present in Doig’s most famous compositions. Having lived on the Caribbean Island of Trinidad with his family for many years, the origin of such themes is traceable.
Scottish-born painter Peter Doig is celebrated as one of the most important representational painters working today. Not only have his works been auctioned for millions, but they’ve also been exhibited in the world’s most notable museums, such as Museum of Modern Art in New York and the British Museum in London. Doig has served on the Tate Gallery's artistic board of directors in London and worked as an adjunct professor of painting at the Kunstakademie Düsseldorf.
Intuition is at the heart of Peter Doig’s work process. He describes his approach as a journey whose destination is unknown. That said, a variety of sources – such as film and music – play an equally important role in the creation of his works. Tropical motifs, as seen in the Fischerman, are present in Doig’s most famous compositions. Having lived on the Caribbean Island of Trinidad with his family for many years, the origin of such themes is traceable.
Scottish-born painter Peter Doig is celebrated as one of the most important representational painters working today. Not only have his works been auctioned for millions, but they’ve also been exhibited in the world’s most notable museums, such as Museum of Modern Art in New York and the British Museum in London. Doig has served on the Tate Gallery's artistic board of directors in London and worked as an adjunct professor of painting at the Kunstakademie Düsseldorf.
Bio
1959 | born in Edinburgh, Scotland |
spent his childhood in Trinidad, Canada and London, UK | |
1980-1983 | Wimbledon School of Art |
1989-1990 | Chelsea School of Art, MA |
1995-2000 | Trustee of Tate Gallery, London, UK |
lives in Trinidad |
Exhibitions
Solo Exhibitions
2017 | Peter Doig | Cabins and Canoes: The Unreasonable Silence of the World, Faurschou Foundation, New York, USA |
2015 | Peter Doig, Michael Werner Gallery, New York, USA |
Peter Doig, Fondazione Bevilacqua La Masa, at the Palazzetto Tito, Venice, Italy | |
2014 | Peter Doig, Fondation Beyeler, Basel, Switzerland, Museum of Modern Art, Humlebaek, Denmark |
2013 | Peter Doig: Early Works, Michael Werner Gallery, New York, USA; London, UK |
No Foreign Lands, National Galleries of Scotland, Edinburgh, UK, Musée des Beaux-Arts de Montreal, Montreal, Canada | |
2012 | Peter Doig: New Paintings, Michael Werner Gallery, London, UK |
2011 | Siegfried + Poster Project, Gallery Met at the Metropolitan Opera, New York; Musée d'Art Moderne de la Ville de Paris, Paris, France |
2009 | Not for Sale, Contemporary Fine Arts, Berlin, Germany |
Peter Doig: New Paintings, Michael Werner Gallery, New York & Gavin Brown’s Enterprise, New York, USA | |
2008 | Peter Doig, Schirn Kunsthalle Frankfurt, Germany |
Peter Doig, ARC / Musée d’Art moderne de la Ville de Paris, France | |
Peter Doig, Tate Britain, London, UK | |
2006 | Peter Doig: Studiofilmclub 2003 – 2006, Ballroom Marfa, Texas, USA |
Go West Young Man, Museum der bildenden Künste, Leipzig, Germany | |
2005 | Peter Doig: Works on Paper, Dallas Museum of Art, Texas; The Gallery at Windsor, Florida, USA; Art Gallery of Ontario, Canada |
Peter Doig. Studio Film Club, Museum Ludwig, Cologne, Germany; Kunsthalle Zürich, Switzerland | |
2004 | Pinakothek der Moderne, Munich, Germany |
Kestner Gesellschaft, Hannover, Germany | |
2003 | Charley's Space Bonnefanten Museum, Maastricht, Netherlands |
Carré d'Art contemporain de Nîmes, France | |
2000 | Echo Lake Matrix, University of California, Berkeley, USA |
Museum of Contemporary Art, Miami, USA | |
Saint Louis Art Museum, Missouri, USA | |
1999 | Version Kunsthaus, Glarus, Switzerland |
1998 | Peter Doig: Blizzard seventy-seven, Kunsthalle Kiel, Germany |
Kunsthalle Nürnberg, Germany | |
Whitechapel Gallery, London, UK | |
1996 | Homely, Gesellschaft für Aktuelle Kunst, Bremen, Germany |
Group Exhibitions
2022 | RAW Editions at London Art Fair 2023, London, UK |
YBA Prints, Lougher Contemporary, Bristol, UK | |
Figura Humana: Modern Representations of the Human Form, Kwiat Art, Los Angeles, USA | |
Häuser - Houses, Galerie Boisseree, Cologne, Germany | |
RAW Editions at London Original Print Fair 2022, London, UK | |
The Drama of Life or the Drama of Representation, Jill Newhouse Gallery, New York, USA | |
2021 | ART FOR HAPPINESS, Ludorff, Düsseldorf, Germany |
Icons & Vandals, West Chelsea Contemporary, New York, USA | |
2020 | British Editions, Galerie Maximillian, London, UK |
2019 | RAW Editions : The Christmas Edit, RAW Editions, London, UK |
Contemporary British Editions, Galerie Maximillian, London, UK | |
Away in the Hill, GRIMM, London, UK | |
2018 | Peindre la nuit, Centre Pompidou-Metz, Metz, France |
2017 | Landscape: Urban & Rural, Crown Point Press, San Francisco, USA |
House Work, Victoria Miro, London, UK | |
2016 | Winter Group Show, Crown Point Press, San Francisco, USA |
2015 | Body Shop, Michael Werner Gallery, London, UK |
Forces in Nature, Victoria Miro, London, UK | |
Lynette Yiadom-Boakye Selects from the V-A-C collection: Natures, Natural and Unnatural, Whitechapel Gallery, London, UK | |
2014 | Private Utopia: Contemporary Art from the British Council Collection, Toyko Station Gallery; Itami City Museum of Art; Okayama Prefectural Museum of Art; Kochi Museum of Art, Japan; Dunedin Public Art Gallery, New Zealand |
Imaginary Portraits: Prince Igor, Gallery Met at the Metropolitan Opera, New York, USA | |
2013 | Tumescence: Peter Doig, Sigmar Polke, Peter Saul, Michael Williams, Michael Werner, New York, USA |
Cloud Illusions I Recall, Irish Museum of Modern Art, Dublin, Ireland | |
2012 | Spectral Landscape, Museum of Contemporary Canadian Art, Ontario, Canada |
A ciel ouvert. Le Nouveau Pleinairisme, Musée national des beaux-arts, Quebec; Canada | |
Rendez-vous der Maler II: Malerei an der Kunstakademie Düsseldorf von 1986 bis heute, Kunstakademie Düsseldorf, Düsseldorf; Germany | |
2012 | BLICKWECHSEL ' Landschaft zwischen Bedrohung & Idylle. Von der Neuen Sachlichkeit bis heute, Tiroler Landesmuseum Ferdinandeum, Innsbruck, Austria |
Exquisite Corpses: Drawing and Disfiguration, Museum of Modern Art, New York, USA | |
The World as Will and Wallpaper, Le Consortium, Dijon, France | |
Juwelen im Rheingold: 10 Jahre Sammlung Rheingold, Kunsthalle Düsseldorf, Germany | |
2011 | Flowers for Summer, Michael Werner Gallery, New York 2011 Perfect Man II, White Columns, New York, USA |
2010 | In the Company of Alice, Victoria Miro Gallery, London, UK |
2009 | Peter Doig and Stephen Hough, Collaboration at Westminster Cathedral, London, UK |
2008 | Series Drawing: An exhibition of works on paper, Michael Werner Gallery, New York, USA |
Serial Works on Paper, Julius Werner Berlin, Berlin, Germany | |
A Guest of Honour. From Francis Bacon to Peter Doig, Museum der Moderne, Salzburg, Austria | |
Marlon Brando, Pocahontas and Me, Aspen Art Museum, Aspen, Colorado, USA | |
…same as it ever was Painting at Chelsea 1990 – 2007, University of the Arts, London, USA | |
2007 | The Painting of Modern Life, The Hayward Gallery, London, UK |
Fast Forward: Contemporary Collections for the Dallas Museum of Art, Dallas Museum of Art, Dallas, USA | |
Der Symbolismus und die Kunst der Gegenwart, Van der Heydt Museum, Wuppertal, Germany | |
Very Abstract and Hyper Figurative, The Thomas Dane Gallery, London, UK | |
Leerraume des Erzahlens, Wilhelm Lehmbruck Museum, Duisberg, Germany | |
The Secret Public – The Last Days of the British Underground 1978 – 88, ICA, London, UK | |
Rockers Island – Olbricht Collection, Museum Folkwang, Essen, Germany | |
2006 | Eye on Europe, Museum of Modern Art, New York, USA |
In the Alps, Kunsthaus Zürich, Zürich, Switzerland | |
Essential Painting, The National Museum of Art, Osaka, Osaka, Japan | |
How to Improve the World, 60 Years of British Art, Arts Council Collection, Hayward Gallery, London, UK | |
Surprise, surprise, ICA, London, UK | |
Still Points of the Turning World, Site Santa Fe’s 6th International Biennial, Site Santa Fe, New Mexico, USA | |
Once Upon a Time in the West – Part One, Contemporary Fine Arts, Berlin, Germany | |
Whitney Biennial 2006, The Whitney Museum of American Art, New York, USA | |
Tate Triennial 2006: New British Art, Tate Britain, London, UK | |
2005 | Black and White: Drawings for Summer, Michael Werner Gallery, New York, USA |
René Daniels, Peter Doig, Silke Otto-Knapp, Gavin Brown’s enterprise, New York, USA | |
Ideal Worlds; New Romanticism in Contemporary Art, Schirn Kunsthalle, Frankfurt, Germany | |
The Triumph of Painting – Part 1, The Saatchi Gallery, London, UK | |
The Big Bang, Centre Georges Pompidou, Paris, France | |
2004 | |
The Undiscovered Country, Hammer Museum, University of California, Los Angeles, USA | |
2004 | |
54th Carnegie International, Carnegie Museum of Art, Pittsburgh, USA | |
2004 | |
Bearings: Landscapes from the IMMA Collection, Irish Museum of Modern Art, Dublin, Ireland | |
2003 | Days Like These, Triennial Exhibition of Contemporary British Art, Tate Britain, London, UK |
2002 | Lieber Maler, male mir… (Dear Painter, paint me), Schirn Kunsthalle, Frankfurt, Germany |
Centre Pompidou, Paris, France | |
2001 | Hier ist dort, Salzburger Kunstverein, Salzburg, Austria |
2000 | Twisted: Urban and Visionary Landscapes in Contemporary Painting, Van Abbemuseum, Eindhoven, Netherlands |
1997 | Alpenblick, Kunsthalle Wien, Vienna, Austria |
1996 | About Vision: New British Painting in the 1990s, The Fruitmarket Gallery, Edinburgh, Scotland |
Museum of Modern Art, Oxford, UK | |
1994 | Here and Now, Serpentine Gallery, London, UK |
The Turner Prize Exhibition, Tate Gallery, London, UK | |
Unbound: Possibilities in Painting, Hayward Gallery, London, UK | |
1993 | Twelve Stars, Barbican Centre, London, UK |
1991 | Barclays' Young Artist Award, Serpentine Gallery, London, UK |
1982 | New Contemporaries, ICA, London, UK |
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