Raindrops In Hong Kong by Nancy Lee

Raindrops In Hong Kong

2018 / 2019 NLE24
Raindrops In Hong Kong
Sizes:
60 x 60
120 x 120
Select finishing/framing:
Mounted under acrylic glass
depth 2 mm glossy, frameless, 60 x 60 cm (External dimensions) with acrylic glass glossy, Silver, 61,2 x 61,2 cm (External dimensions) On premium paper (glossy) not mounted or framed. Shipped rolled.
depth 2 mm glossy, frameless, 60 x 60 cm (External dimensions)
Select finishing/framing:
Mounted under acrylic glass
depth 2 mm glossy, frameless, 120 x 120 cm (External dimensions) with acrylic glass glossy, Silver, 121,2 x 121,2 cm (External dimensions) On premium paper (glossy) not mounted or framed. Shipped rolled.
depth 2 mm glossy, frameless, 120 x 120 cm (External dimensions)
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VAT incl. Plus € 6.90 shipping.

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BACKGROUND INFORMATION
Nancy Lee – Fragmented Reality

The grid plays a central role in the photo collages of Dutch photographer Nancy Lee. It provides the image space with a clear structure, whilst also serving to fragment the reality being depicted. Visual chaos and optical harmony generate a surprising connection between audience and image. The viewer sees a rhythmic composition of tiny particles of reality brought together in a photographic symphony of urban simultaneity. Her images explore subjects such as traffic, market life, or pedestrians, structuring them according to certain characteristics. People carrying open umbrellas, for example, are transformed into an image of multiple abstract dots, or even raindrops. This cutting apart and re-stitching  of reality is done to such an extent that even lorries are deliberately divided into multiple pieces, then floating as dashes of colour through the image space. As with a puzzle, the viewers can try to put the individual pieces together in their heads. More important, however, is the visual rhythm of each picture, through which emerges a unique atmosphere, or a musically inspired theme. Some of the images are like eclectic jazz improvisations, while others float harmonically as classical pieces of music. The abstract-aesthetic rearrangement of reality can be seen as representative of a globalised world. A world in which the homogeneity of the whole appears broken by the diversity of the individual parts, even though these individual parts are often similar or identical.

Stephan Reisner      
VITA
2000 - 2001Studied photography at Panamerican Escola des Artes, Sao Paulo, Brasil
2002 – 2004Studied photography at St. Joost Kunstacademie, Breda, Netherlands
Lives in the Netherlands

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