pdp.preview.ar-cta.header
Preview on your Wall
Scan me and see this artwork on your own wall! (iPhone only)

Point the iPhone at the desired wall (approx. 3 meters distance) and press start.

9th Ave. b/t W 44th & W 45th, Hell's Kitchen

Sizes:
17 x 180
23 x 240
Framing/mounting options:
Mounted under acrylic glass
depth 2 mm glossy, frameless, 17 x 180 cm (External dimensions) On premium paper (glossy) not mounted or framed. Shipped rolled.
depth 2 mm glossy, frameless, 17 x 180 cm (External dimensions)
Framing/mounting options:
Mounted under acrylic glass
depth 2 mm glossy, frameless, 23 x 240 cm (External dimensions) On premium paper (glossy) not mounted or framed. Shipped rolled.
depth 2 mm glossy, frameless, 23 x 240 cm (External dimensions)

Pay in 30 days or in up to 36 interest-free installments with Klarna.

9th Ave. b/t W 44th & W 45th, Hell's Kitchen
2001 / 2013 / JKM18 Created in 2001 / Published in 2013 / No. JKM18 JKM18
page.detail.shipment.estimation.sale-item
VAT incl. Plus € 29 shipping.

READY TO HANG

Out of the box, all LUMAS artworks are ready and easy to hang.

SECURELY PACKAGED

LUMAS works are always packed to the highest standard to make sure it arrives as perfectly as it leaves us.

ARTIST SUPPORTED

Your purchase supports the free and independent work of your favorite artist.

14 DAY RETURNS

Easy 14 day returns to make sure you are satisfied with every purchase.



James & Karla MurrayIn the turbulent heart of the city these colourful rows of New York shops lure us down to street level. Vivid expressions of the city’s cultural and religious diversity, each façade, with its adverts and its special…
Visit artist page
BACKGROUND INFORMATION
James & Karla Murray

In the turbulent heart of the city these colourful rows of New York shops lure us down to street level. Vivid expressions of the city’s cultural and religious diversity, each façade, with its adverts and its special offers, tells a unique story. The New York artistic duo James and Karla Murray embraced these small, vibrant, witnesses of our time, shooting them with a 35mm analogue camera. Some of the shops are age-old institutions, such as the Yonah Schimmel Knish bakery in Manhattan or the Jackson Heights florist in Queens, while others have emerged within the last few years. All are battling the current financial situation and the multiplication of overzealous city ordinances.

A traditional butcher’s shop fights for its very existence because it can no longer hang meat in the show window, as it has always done. The most valuable asset of each business is its combination of tradition and virile adaptability. All clamour for attention in their own way, but none impose on the space of the others. The scrum of advertising banners over glass facades can be described as a vibrant democracy, one that is continually renewed. Each shop can determine for itself the price of its special offers, but it may not take away from others the right to do the same.

The images are not depictions of perfection –  some of the walls are cracked, some of the awnings have been bleached by the sun, and some of the signs are bent or broken. This serves only to make the scenes more appealing, however. It is worth slipping into the role of casual wanderer, taking in the different offers one after another. One not only discovers the subtleties of these New York bazaars, but also gains a impression of the rhythm of the individual streets. Their documentation was more than simply photographic: By carefully selecting the stores, recording interviews with their owners, taking individual portraits and then stitching them together into panoramas free from any obstructions, we are given a much greater impression of the whole.

The character of the project and its essence of preservation is clearly reflected in the artistic intervention. Our attention is drawn to an element of city life whose very existence is in doubt, a culture defined by tolerance, creative adaption, and the ability to live alongside one another. Large chain stores with uniform brands are taking over the streets, threatening the spirit and cultural diversity of individual neighbourhoods. It is this spirit and diversity, however, that produces the unique atmosphere of the city streets. It’s existence is not only essential to the colourful sidewalks of New York, but to every city around the world.

Stephan Reisner
BIOGRAPHY
The Source
City Magazine
Rolling Stone
Stern
Time Out New York
Die Zeit
Der Spiegel
VITA
James T. Murray
1964Born in Bridgeport, CT, USA
Lives and works in New York and Miami

Karla L. Murray
1968Born in New York, USA
Lives and works in New York and Miami
Exhibitions
2013New York Nights, Clic Gallery, New York, USA
2012Store Front, Fotogralerie im Blauen Haus, Munich, Germany
2011Store Front II, Clic Gallery, New York, USA
2009Store Front, Clic Gallery, New York, USA
2008Counter/Culture: The Disappearing Face of Brooklyn’s Storefronts, Brooklyn Historical Society, New York, USA
2010Clic Gallery, New York, USA
2001Up on the Roof: The Culture of New York City Rooftops, The New-York Historical Society, New York, USA

With registration, you agree to our terms and conditions as well as our privacy policy.

Delivery to your country is not possible from this site.
If you would like to place an order, please visit LUMAS USA.

No thanks, I would like to stay on this site.
Yes, I would like to switch.