Hibiscus Jelly by Bruce Boyd

Hibiscus Jelly

2019 / 2020 BBO12
Hibiscus Jelly
Sizes:
75 x 92
100 x 122
130 x 159
Select finishing/framing:
Mounted under acrylic glass
depth 2 mm glossy, frameless, 75 x 92 cm (External dimensions) with acrylic glass glossy, Black, 76,2 x 93,2 cm (External dimensions) On premium paper (glossy) not mounted or framed. Shipped rolled.
depth 2 mm glossy, frameless, 75 x 92 cm (External dimensions)
Select finishing/framing:
Mounted under acrylic glass
depth 2 mm glossy, frameless, 100 x 122 cm (External dimensions) with acrylic glass glossy, Black, 101,2 x 123,2 cm (External dimensions) On premium paper (glossy) not mounted or framed. Shipped rolled.
depth 2 mm glossy, frameless, 100 x 122 cm (External dimensions)
Select finishing/framing:
Mounted under acrylic glass
depth 2 mm glossy, frameless, 130 x 159 cm (External dimensions)
depth 2 mm glossy, frameless, 130 x 159 cm (External dimensions)
page.detail.shipment.estimation.sale-item
VAT incl. Plus € 12.90 shipping.

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ARTIST SUPPORTED

Your purchase supports the free and independent work of your favorite artist.

EXTENDED RIGHT OF RETURN

Say it with art. Because of the Christmas season, we have extended your right of return until January 10th!



BACKGROUND INFORMATION
Together with artist Tharien Smith, Bruce Boyd developed an extremely elaborate technique in which they freeze flower arrangements in ice over the course of several days. Then they put these blocks of ice into rivers or lakes. This makes cracks in the ice or causes bubbles to form inside it. The flowers become part of an active transformation. Only then do Boyd and Smith begin taking photographs. Randomness and intention are both at play here, as are enchanting beauty and dynamic unpredictability. Sometimes a blossom juts out of the ice block and changes color. Cracks might make another flower appear to be broken up into several pieces. Every one of Boyd’s pieces is unique with its own character and charm.

Bruce Boyd is a young artist based in Cape Town, South Africa. He grew up in a house full of flowers; his mother picked and arranged them, and his father painted them. The entire house was decorated with these pictures, meaning the entire family was constantly surrounded by flowers. While researching artists who work with flowers, Bruce came across the work of Azuma Makoto and Kenji Shibata. They inspired him to experiment, leading to the creative process that defines the series 0˚C.

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