- Exclusive offers
- Inspiring new releases
- Personal invitations to Art Events
Bart Van Leeuwen
Modern RomanticsA fashion photographer who completely rewrote the rules of his trade, he used the city streets as expressive backdrops, which offered an almost casual perspective on cutting-edge… Read more
Intro Bio Exhibitions
Chanel Paris
Modern Romantics
€ 1,490
Chanel Paris
Modern Romantics
€ 1,490
Irah
Modern Romantics
from € 449
Irah
Modern Romantics
from € 449
Dior Paris
Modern Romantics
from € 449
Dior Paris
Modern Romantics
from € 449
Secrecy
Modern Romantics
from € 449
Secrecy
Modern Romantics
from € 449
Una Donna Particolare
Modern Romantics
from € 449
Una Donna Particolare
Modern Romantics
from € 449
Olga
Modern Romantics
from € 449
Olga
Modern Romantics
from € 449
Irah
DARLINGS
€ 199
Irah
DARLINGS
€ 199
Chanel Paris
DARLINGS
€ 199
Chanel Paris
DARLINGS
€ 199
Chanel Paris
PETITES
€ 119
Chanel Paris
PETITES
€ 119
Background Information about Bart Van Leeuwen
Introduction
Modern Romantics
A fashion photographer who completely rewrote the rules of his trade, he used the city streets as expressive backdrops, which offered an almost casual perspective on cutting-edge fashion designs, and favoured coincidence over carefully crafted poses, Bart van Leeuwen was a master of his profession. His body of work is an intoxicating journey into sensual metropolises like Naples and through fashion capitals such as New York and Paris. The Dutch artist captured the poetic stories of everyday life with cinematographic elegance, drawing inspiration from the contrast-rich style of Film Noir and from Italian neorealism.
Van Leeuwen’s life seems almost too remarkable to capture in just a few words. As a young fashion photographer, he made his way to the epicentres of haute couture; Paris and New York became his home during one of the most legendary eras in the history of fashion and art. The centre of his life was the fabled Chelsea Hotel. Andy Warhol filmed parts of “The Chelsea Girl” there, which enhanced the already mythical nature of the red brick building. Van Leeuwen’s works reflect the atmosphere of these bizarre, brilliant times at “the factory” and the fluctuation between avant-garde and underground. His work was intimately intertwined with his life; the artist’s first wife, Apollonia von Ravenstein, was both his model and his muse. He also photographed his second wife in a seductive pose, one of the rare occasions in which his model looks directly at the viewer. According to Van Leeuwen, “eye contact makes a spectator present in a mise-en-scène. Without it, an observer remains just that, observer of another reality which is actually an ancient principle from the art of painting.” Instead, he used an intensely narrative approach, and the images from his “Modern Romantics” series seem like scenes from a film.
Van Leeuwen’s photographic oeuvre is characterised by chance and spontaneity. Whether shooting Andy Warhol during a workout in the factory or capturing Freddy Mercury, Jean-Michel Basquiat, and Grace Jones as they happened to stand opposite him: “I always tried to be open to coincidences, not restricting myself to a pre-defined concept, to find things I wasn’t even looking for but that were actually better than I could have imagined.” The glamorous world of years gone by, captured in Van Leeuwen’s photographs, can be found in the private collections of fashion designers such as Theirry Mugler or Christian Lacroix, as well as in the Andy Warhol museum in Pittsburgh.
The majority of the photographs in this series stems from the late 80s and early 90s. Due to a neuromuscular disease, Van Leeuwen stepped out of the public eye in 2005.
Hannah Hör
Bart van Leeuwen ( Amsterdam,1950 ), born in an artistic family of musicians and painters, published his first pictures in Dutch underground magazine Hitweek in 1967, graduated from the School for Professional Photography in The Hague in 1969 and started to work as a freelance photographer in 1971. Inspired by film noir, Italian neorealism and photographers like Avedon, Brassaï, Frank, Kertész, Lartigue, Newton and Penn he developed a narrative, cinematographic style, linking facts and fiction.
He travelled the world for magazines like Avenue, Cosmopolitan, Elle, Elegance, Esquire, Harpers Bazaar, i-D, Kult, Marie-Claire, Oor, Playboy, Sunday Times, Viva and Wallpaper and companies such as ABN, Agnès B, Barclays, Bilderberg, Bijenkorf, CBS, Harrods, ING, Levi’s, Matinique, Philips, RCA, René Lezard, Sara Lee, Woolmark and Volvo, shooting fashion stories, advertising campaigns and portraits.
Andy Warhol, Bob Geldof, Candy Dulfer, Carice van Houten, Dizzy Gillespie, Freddy Mercury, Giorgio Armani, Grace Jones, Herman Brood, Jean-Michel Basquiat, Jerry Hall, John Cale, Nina Hagen and Sylvia Kristel are among the celebrities he photographed.
He has won several awards ( ADCN i.a.) and gave lectures on photography at academies in Amsterdam ( Rietveld ), Rotterdam ( WdKA ) and Bruxelles ( St. Lukas ).
A fashion photographer who completely rewrote the rules of his trade, he used the city streets as expressive backdrops, which offered an almost casual perspective on cutting-edge fashion designs, and favoured coincidence over carefully crafted poses, Bart van Leeuwen was a master of his profession. His body of work is an intoxicating journey into sensual metropolises like Naples and through fashion capitals such as New York and Paris. The Dutch artist captured the poetic stories of everyday life with cinematographic elegance, drawing inspiration from the contrast-rich style of Film Noir and from Italian neorealism.
Van Leeuwen’s life seems almost too remarkable to capture in just a few words. As a young fashion photographer, he made his way to the epicentres of haute couture; Paris and New York became his home during one of the most legendary eras in the history of fashion and art. The centre of his life was the fabled Chelsea Hotel. Andy Warhol filmed parts of “The Chelsea Girl” there, which enhanced the already mythical nature of the red brick building. Van Leeuwen’s works reflect the atmosphere of these bizarre, brilliant times at “the factory” and the fluctuation between avant-garde and underground. His work was intimately intertwined with his life; the artist’s first wife, Apollonia von Ravenstein, was both his model and his muse. He also photographed his second wife in a seductive pose, one of the rare occasions in which his model looks directly at the viewer. According to Van Leeuwen, “eye contact makes a spectator present in a mise-en-scène. Without it, an observer remains just that, observer of another reality which is actually an ancient principle from the art of painting.” Instead, he used an intensely narrative approach, and the images from his “Modern Romantics” series seem like scenes from a film.
Van Leeuwen’s photographic oeuvre is characterised by chance and spontaneity. Whether shooting Andy Warhol during a workout in the factory or capturing Freddy Mercury, Jean-Michel Basquiat, and Grace Jones as they happened to stand opposite him: “I always tried to be open to coincidences, not restricting myself to a pre-defined concept, to find things I wasn’t even looking for but that were actually better than I could have imagined.” The glamorous world of years gone by, captured in Van Leeuwen’s photographs, can be found in the private collections of fashion designers such as Theirry Mugler or Christian Lacroix, as well as in the Andy Warhol museum in Pittsburgh.
The majority of the photographs in this series stems from the late 80s and early 90s. Due to a neuromuscular disease, Van Leeuwen stepped out of the public eye in 2005.
Hannah Hör
Bart van Leeuwen ( Amsterdam,1950 ), born in an artistic family of musicians and painters, published his first pictures in Dutch underground magazine Hitweek in 1967, graduated from the School for Professional Photography in The Hague in 1969 and started to work as a freelance photographer in 1971. Inspired by film noir, Italian neorealism and photographers like Avedon, Brassaï, Frank, Kertész, Lartigue, Newton and Penn he developed a narrative, cinematographic style, linking facts and fiction.
He travelled the world for magazines like Avenue, Cosmopolitan, Elle, Elegance, Esquire, Harpers Bazaar, i-D, Kult, Marie-Claire, Oor, Playboy, Sunday Times, Viva and Wallpaper and companies such as ABN, Agnès B, Barclays, Bilderberg, Bijenkorf, CBS, Harrods, ING, Levi’s, Matinique, Philips, RCA, René Lezard, Sara Lee, Woolmark and Volvo, shooting fashion stories, advertising campaigns and portraits.
Andy Warhol, Bob Geldof, Candy Dulfer, Carice van Houten, Dizzy Gillespie, Freddy Mercury, Giorgio Armani, Grace Jones, Herman Brood, Jean-Michel Basquiat, Jerry Hall, John Cale, Nina Hagen and Sylvia Kristel are among the celebrities he photographed.
He has won several awards ( ADCN i.a.) and gave lectures on photography at academies in Amsterdam ( Rietveld ), Rotterdam ( WdKA ) and Bruxelles ( St. Lukas ).
Bio
1950 | Born in Amsterdam (NL) | |||
1969 | Royal Academy of Art, The Haugue, Den Haag (NL) | |||
Lived and worked in Amsterdam (NL), Paris (FR), New York (USA), due to a neuromuscular disorder he retired in 2005 and lives outside of Amsterdam (NL) | ||||
Died 2017 |
Awards
ADCN Award
Exhibitions
Solo Exhibitions
2008 | BlowUp Gallery, Bart van Leeuwen – 40 Years of Fashion, Amsterdam NL |
2004 | BlowUp Gallery, Bart van Leeuwen, Amsterdam NL |
Group Exhibitions
2013 | Foam, Framed in Print, Amsterdam NL |
2010 | DFF Gallery, Zoom, Eyes on Dutch Fashion, The Hague NL |
2009 | BlowUp Gallery, Uppercuts, Amsterdam NL |
2008 | BlowUp Gallery, Dutch Nudes, Amsterdam NL |
2007 | Wouter van Leeuwen Gallery, Andy Warhol, Amsterdam NL |
2006 | Nederlands Fotomuseum, Avenue A – Z, Rotterdam NL |
2004 | Downtown Gallery, BlowUp Photographers, Amsterdam NL |
2003 | Kunsthal, Playboy Photography, Rotterdam NL |
BlowUp Gallery, 11 Photographers, Amsterdam NL | |
Naarden Photo, 50 Years Nieuwe Revu, Naarden NL | |
Naarden Photo, Style of Life, Naarden NL | |
Breda Photo, Breda NL | |
Christies, Aids Fund, Amsterdam NL | |
2002 | VNU, 30 x 30, 30 Years Viva, Amsterdam NL |
Downtown Gallery, Pim Thomassen, Amsterdam NL | |
Scheringa Museum, 50 Years of Fashion, Spanbroek NL | |
Reflections, Urban Perceptions, Amsterdam NL | |
2000 | Historic Museum, Young, Rotterdam NL |
Museum of Drenthe, Young, Assen NL | |
1999 | Kring, War Child, Amsterdam NL |
Scheringa Museum, Fong Leng ‘Diva’, Spanbroek NL | |
Lumiere, SVFN, Durgerdam NL | |
1998 | PanL, Amsterdam NL |
Jablonka Gallery, Andy Warhol, Köln DE | |
Westergasfabriek, PanL, Amsterdam NL | |
Bijenkorf, Doors to India, Amsterdam NL | |
1995 | Naarden Photo, Ego Document, Naarden NL |
Dejeuner sur l’Herbe, Paris FR | |
1994 | European Photography, Yokohama JP |
1993 | Naarden Photo, Naarden NL |
1992 | St. Lucas Institute, Bruxelles BE |
Kleurgamma, Amsterdam NL | |
1991 | Naarden Photo, Naarden NL |
1990 | Dunhill Dutch Photography, Amstelveen NL |
1989 | Dunhill Dutch Photography, Arnhem NL |
Sonesta Gallery, Avenue, Amsterdam NL | |
Dunhill Dutch Photography, Assen NL | |
Naarden Photo, Naarden NL | |
Focus Gallery, Nudes, Amsterdam NL | |
1988 | Dunhill Dutch Photography, Utrecht NL |
Dunhill Dutch Photography, St. Petersburg RU Dunhill Dutch Photography, Moscow RU | |
Modam, Amsterdam NL | |
1987 | Month of Photography, Athens GR |
Dunhill Dutch Photography, Amsterdam NL | |
Dunhill Dutch Photography, Amstelveen NL | |
Institut Néerlandais, Le Vent du Nord, Paris FR | |
1986 | Dunhill Dutch Photography, Lelystad NL |
1985 | Canon Gallery, 20 Years Avenue, Amsterdam NL |
Aemstelle, Dunhill Dutch Photography, Amstelveen NL | |
1984 | Kodak Gallery, Odijk NL |
KLM Gallery, Tokio JP | |
1983 | Mazzo, Amsterdam NL |
1982 | KLM Gallery, New York US |
1975 | Gallery Fiolet, Amsterdam NL |
You may also like these artists